Ramkinkar Baij, Indian, 1910 to 1980, watercolor painting on paper depicting a rural vilage landscape. Signed lower right. Ramkinkar Baij was the earliest Indian artist to experiment with abstract sculptural forms. His oil on canvas paintings have a singular experimenting quality going beyond its time, unregimented by dogmas and with only one commitment to be unstintingly creative. Born in Bankura in West Bengal in 1910, Ramkinkar Baij studied at the Kala Bhavan, Vishwa Bharati University, Santiniketan in 1925. Trained by two European sculptors, one of whom was a disciple of Bourdelle, who were on a visit to Santiniketan on an invitation by Tagore, his style was still uniquely his own. Groomed by his mentors, Nandalal Bose and Tagore, the clay modeler turned artist. Working at a time when traditional art was transitioning to modern art, Baijs work proved to be crucial to Indian art history. Nature and Baijs own folk background turned out to be the crucial influences in the formation of his own style. Later, he headed the Department of Sculpture at the Kala Bhavan. He believed that it is only momentum that creates tension in a work of art. His work is characterized by a tremendous energy; his art is joyous, vital and reaching out to light. It is earthy and dynamic while showing a surging movement or growth. One of a kind artwork.